Kirish . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
I BOB.О‘zbek milliy raqs san’ati rivojlanishida an’ana va zamonaviy tendensiyalar
1.1.XIX asrning ikkinchi yarmi va XX boshlarida о‘zbek milliy raqs san’atining badiiy qiyofasi . . . . . . . . . . . . . . . . . . . . . .17
1.2.A.Mо‘minov ijodiy faoliyatining boshlanishi . . . . . . . . . . . .27
II BOB.A.Mо‘minovning baletmeysterlikbaletmeysterlikbaletmeysterlik baletmeysterlik baletmeysterlik baletmeysterlik baletmeysterlik baletmeysterlikbaletmeysterlik va pedagogikpedagogik pedagogikpedagogikpedagogikpedagogik faoliyati faoliyatifaoliyatifaoliyatifaoliyati
2.1.A.Mо‘minov opera va balet teatrlarida olib borgan ijodiy faoliyatining О‘zbekiston baletidagi о‘rni . . . . . . .35
2.2.A.Mо‘minov pedagogik faoliyati davomida о‘zbek xoreografiya sohasi rivojiga qо‘shgan hissasi . . . . . . . . . .40
III BOB.A.Mо‘minov yaratgan sahna asarlari spetsifik jihatlari va ilmiy ahamiyati
3.1.A.Mо‘minov sahnalashtirgan baletlarning о‘ziga xos xususiyatlari . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
3.2.A.Mо‘minov yaratgan raqslarda an’anaviy va zamonaviy yondoshuv uyg‘unligining ilmiy ahamiyati . . . . . .61
Xulosa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Adabiyotlar rо‘yxati . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75
Ilova . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .79
